Your brand, sharper. Still yours.
Producer. Director. Lighting. Editor. CGI. One invoice.
Product and brand photo and video, plus white-label editing for agencies who need someone they can trust with their client.
One person. The whole crew.
- Producer
- Director
- Lighting
- Editor
- Writer
- Grip
- CGI
- Catering*
*No.
Cham Phan
Class: one-person crew
- Years on set
- 15
- Super Bowl spots
- 2
- Digital views
- 1,000,000+
- Livestreams produced
- 50+
- Cold calls survived
- 25,000
Clients: Holiday Inn · Sanford Health · Raven Industries · American Ethanol · Pave · Filly Flare · TH Grey · Zmoke · Royzzz · Escape Float Spa · The Canton Barn
White-label editing.
25,000 cold calls taught me what content has to do. Sell.
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Product Day
About 8–12 products, lit, styled and retouched. Photos for the store and ads, plus short video loops. Studio or on location.
from $1,800per day
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Brand Package
A half day on set. A 60–90 second brand film, a photo set and three social cutdowns. Founder and team content, CGI and composites when the idea needs them.
from $3,500per package
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White-Label Edit
Video and photo editing under your name. You send footage Monday. Your client sees a first cut Thursday. Two review rounds, no credit, no contact with your client unless you ask. NDA on request. How white-label works →
from $250per project · or $1,500 / month
Nothing is shot until your brand is locked.
The intake is how your brand stays yours. It takes about six minutes, and I read every one.
Intake
Your brand guide, logos, fonts and colours. Three references you love, three you hate, the words you never use, and who approves.
Brand lock
I send back a one-page brand sheet for this job. You sign off. Nothing is shot or cut until you do.
Make
Shoot and edit to the brand lock.
Review
Two rounds, with time-coded notes.
Deliver
Every size you need, plus the brand sheet, so your next vendor stays on-brand too.
Trust me with your brand like it’s my own baby.Start the intake
Your brand, in light nobody else can shoot.
Infrared for campaigns, product, hospitality and tourism, album art and music videos. Fifteen years of commercial production, and an infrared fine-art body of work. Almost nobody has both.
Infrared wants an overhead midday sun, the light other crews avoid. My best light is everyone else’s lunch break.